It begins with quotations from Baha’ Allah and ‘Abd al-Baha’, and includes the importance of the meeting between Tayirah Khanum, Mr. Charles Mason Remey, and Mr. Sydney on uniting west and east under the Baha'i faith; at the end of their talk, they told Tayirah Khanum about American women, and Tayirah Khanum took off her pearl necklace and handed it to Mr. Remey to give it to the American women. This pearl necklace was given to Tayirah Khanum by Malakah Iran, sister of Muzaffar al-Din Shah. It also includes a list of Baha’i women who hold meetings in different cities in Iran.
The notebook's original title is: "Notebook for recording the books currently available at the Hadi Dawlatabadi Library since its founding (5/5/1966), which were transferred from various libraries for sale." It includes poetry, book lists, and miscellaneous notes. This notebook is accompanied by two printed pages of a prayer.
This booklet is about the lives of Bab and his followers, as well as his writings.
The printed book of Tanbih al-Na’imin, written by ‘Izziyah Khanum, the elder sister of Subh-i Azal, responding to a Letter from ‘Abbas Afandi, her nephew, and rejecting claims of her brother Mirza Husayn ‘Ali Baha’ Allah. This copy includes as well an introduction (author's name not indicated), Afandi's Letter, a sermon and an essay by Haji Mirza Ahmad Kirmani.
A fragment of Subh-i Azal's biography, written by ‘Atiyah Ruhi, which covers his life from childhood until his exile to Cyprus.
Miscellaneous writings, including: a page with a list of books and some notes with "93" on the verso; a list of books by the Bab and Subh-i Azal; a list of photographic glass plates and the numbers of Babis and Baha’is killed between 1849-1973; a list of endowed books and prayers for different occasions; a holiday greeting; a fragment of a testimonial about Qamar Taj Dawlatabadi and her companions' travels to Cyprus and a receipt of a collection of items belonging to Subh-i Azal from 'Aliyah Khanum; a childbirth greeting and miscellaneous writings of Qamar Taj Dawlatabadi on the verso;...
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